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The song's oblique lyric is suggestive of religious and end time themes with references to prayer, meaningful birthmarks and signs in the sky. Ben Hewitt writing for The Guardian in 2015 drew attention to the lyric's apocalyptic nature, imagining Cohen "greedily eyeing world domination like a Bond villain".[1] Rolling Stone magazine's Mikal Gilmore similarly described the song as a threatening vision of "social collapse and a terrorist's revenge".[2] The Daily Telegraph's Robert Sandall likewise observed the prophetic character of the song, but emphasized the song's political statement, placing it in the context of the last days of the Soviet Union.[3]

Cohen explained himself in a backstage interview:[4] "I think it means exactly what it says. It is a terrorist song. I think it's a response to terrorism. There's something about terrorism that I've always admired. The fact that there are no alibis or no compromises. That position is always very attractive. I don't like it when it's manifested on the physical plane – I don't really enjoy the terrorist activities – but Psychic Terrorism. I remember there was a great poem by Irving Layton that I once read, I'll give you a paraphrase of it. It was 'well, you guys blow up an occasional airline and kill a few children here and there', he says. 'But our terrorists, Jesus, Freud, Marx, Einstein. The whole world is still quaking.'"

lyrics

They sentenced me to twenty years of boredom
For trying to change the system from within
I'm coming now, I'm coming to reward them
First we take Manhattan, then we take Berlin

I'm guided by a signal in the heavens
I'm guided by this birthmark on my skin
I'm guided by the beauty of our weapons
First we take Manhattan, then we take Berlin

I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those

Ah you loved me as a loser, but now you're worried that I just might win
You know the way to stop me, but you don't have the discipline
How many nights I prayed for this, to let my work begin
First we take Manhattan, then we take Berlin

I don't like your fashion business mister
And I don't like these drugs that keep you thin
I don't like what happened to my sister
First we take Manhattan, then we take Berlin


I'd really like to live beside you, baby
I love your body and your spirit and your clothes
But you see that line there moving through the station?
I told you, I told you, told you, I was one of those


And I thank you for those items that you sent me
The monkey and the plywood violin
I practiced every night, and now I'm ready
First we take Manhattan, then we take Berlin

Ah remember me, I used to live for music
Remember me, I brought your groceries in
Well it's Father's Day and everybody's wounded
First we take Manhattan, then we take Berlin

credits

from Cam Giles D A R K E R The Songs of Leonard Cohen, released September 21, 2020
I wanted to say a special thanks to the band for putting in a massive effort and being so supportive and an inspiring mob to hang with. It has been a joy to record these songs with you all.

From Left To Right, Damon Grant : saxophone and electric horns, Lance Sua : guitar,
Cam Giles : vocals, piano, keys,Gavin Pearce : bass,Ryan Menezes : drums and percussion.

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Cameron Giles Melbourne, Australia

Cam Giles presents Darker - The Songs Of Leonard Cohen
New album to be released and launched in celebration of Leonard Cohen’s 86th Birthday

Cam Giles – Darker – Songs from Leonard Cohen will be released on September 21st via Sony Music and will be launched live at
Memo Music Hall October 3rd.
www.facebook.com/camgilesofficial/
www.camgiles.com
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